Author: Carolyn Wynnack

  • Short Stories // Spilled Whisky (Whisky Wednesday 1/7/2026)

    Short Stories // Spilled Whisky (Whisky Wednesday 1/7/2026)

    Every week when Whisky Wednesday and Writing Wednesday collide, I share a dram and a writing prompt over on Instagram. I don’t usually share the outcomes of these exercises, choosing to keep them private, composed just for the joy of the practice.

    But there’s something to be said for sharing, even when the writing is unfinished and unedited. So here it is, a little bit of whisky-inspired flash fiction, presented with minimal editing, for January 7.


    Whisky & Writing Prompt for January 7, 2026

    🥃: Laphroaig Càirdeas Cask Favorites (2024)

    ✍️: Whoops!

    Flash Fiction: Spilled Whisky

    “It’s okay, don’t cry over spilled whisky.”

    “But it was good whisky,” I whined, reaching for a towel to sop up the spirit. The glass, a curvy glencairn, had miraculously survived the three foot drop from the table to the hard tile floor. I placed it, still glistening with the whisky, back on the relative safety of the table.

    The glass had been almost full, neglected by the same enthusiastic conversation that sent it flying to floor. I’d like to say we were discussing something important, like politics or philosophy, when my elbow connected with my glass.

    Instead, we were debating a topic as old as time: were Ross and Rachel really on a break? I said no, he said yes, I flung my arms out in disbelief, and here we were.

    I could smell the whisky seeping into the rag, warm and inviting and, now, unattainable. It was the sweet smoke of peat aged in sherry-soaked oak, rich raisin and orange and toffee.

    “It was also the last of the bottle,” I said, straightening up again. I dropped the towel on the table and let my hands come to rest on my hips, defeated.

    “Have mine, then.”

    I waved off the suggestion. No, there were no take-backsies in whisky sharing, unless the recipient hates the pour. Then you hope the alcohol sanitizes the rim, because there’s no reason to waste it.

    Not that I was worried about germs in this case anyway. We’d already shared our fair share of spit.

    I picked up the towel and empty glass and carried them to the kitchen sink a few feet away, setting the glass in the sink and draping the towel over the edge. From the cabinet, I pulled a fresh glass, small this time—a wee Glencairn as punishment for dropping the first one.

    “You were right about it being a good whisky,” he said gently, sipping thoughtfully and holding the glass aloft. I called that stance the whisky world version of The Thinker. We all do it, pondering between sips.

    I smiled, “Yeah, it was.”

    I pulled another bottle from the cabinet, a steady Laphroaig 10, always available unlike the special release Càirdeas from which we had both been sipping before my dram’s untimely demise.

    “But all good things must come to an end.”

    “You could just save it, you know,” he said. Pragmatic.

    “Save it for me, or from me?” I asked, laughing.

    “Both.”

    “But then what’s the point? I responded, smiling. “Whisky is for drinking. If you never open the bottle, how can you know what you’re admiring?”

    He paused, considering this. “Then why do people collect hundreds of bottles that they’ll never drink?”

    “You’d have to ask them that question.”

    “But you spilled it.”

    “So?”

    “If you’d saved it, you wouldn’t have spilled it. You wouldn’t have lost it.”

    “And I also wouldn’t know what I lost.”

    He was considering this, resuming the pose of the whisky thinker, staring off into space or maybe at the top of my refrigerator. In the meantime, I studied him. 6’2″, clean cut, the type of guy to bring home to your mother, the type of guy that makes other women gush and ask when you’ll be getting a ring. A big one, considering that he had a good job and a savings account and a car that was fully paid off and parked in his neatly mortgaged garage.

    “It’s an investment,” he said then. It wasn’t a question, not even a conversation. I could hear the confidence in his declaration. He was staring at my whisky cabinet now, and I could see the dollar signs over his head as he calculated the value of the bottles, opened or not.

    I sighed. This is what I get for dating a finance bro. If his views on whisky weren’t bad enough, his collection of Patagonia vests would have sealed our fate. He had seven. All in black, grey, and navy. And he wore them to the office over his button-up shirts. With khakis. 

    We were doomed from the start, but at least it was fun for a few weeks.

    Sorry, mom.

    “It’s not an investment,” I said, barely hiding my contempt for the idea.

    “But you have unopened bottles,” he countered. “You could sell—”

    “No.”

    “You haven’t opened them.”

    “Yet.”

    He shrugged. “I just think—”

    “And I didn’t ask.”

    Suddenly I felt very tired, or that’s what I told him. He kissed me on the cheek when he left, saying “I’ll call you.”

    “That’s okay,” I said, the look in his eyes ensuring that he had caught my meaning.

    Five months later, I heard that he had gotten engaged. She was a lawyer, from a good family. I opened a new bottle that night, a good one, and toasted to their eternal happiness—and to mine.

  • 11 Whisky Myths to Ditch in 2026

    11 Whisky Myths to Ditch in 2026

    Whisky is more than a drink, and each sip carries more than flavor. Distilled into every bottle is a compelling blend of tradition, identity, and—unfortunately—baggage.

    Some of what we believe about whisky comes from history. Some of it comes from marketing, where storytelling plays with the boundaries of fact and fiction. And some of it is simply lore, repeated long enough to feel like truth.

    It’s the unfounded assertions about whisky that carry the most weight—and do the most damage. These tightly-held beliefs can become barriers to the exploration and enjoyment of whisky. That’s never been a good thing, but in 2026 it presents a big problem for an industry that’s struggling to find its footing in a post-COVID reset.

    The new year feels like a perfect moment to let go of a few myths that no longer serve the drink, the people who love it, or the people who want to know more. So here are 11 whisky myths that simply aren’t worth the buy in 2026.

    Gatekeeping Myths that Keep Newcomers Out of Whisky

    1. There’s a “right” way to drink whisky.

    Some people will tell you that the only way to drink whisky is neat. Room temperature. No ice. No water. Absolutely no mixers.

    This, frankly, is nonsense. Whisky consumption is not a performance, and it’s not a competition.  If your way of drinking whisky brings you closer to the spirit—and to the people and moments around it—you’re doing it right. Ice, water, cocktails, neat pours, shared drams, hurried shots, and long contemplative sips all have their place.

    2. You need a refined palate—and vocabulary—to truly appreciate whisky.

    Most whisky descriptions are bullshit. They’re marketing (and I say this as a marketer). That doesn’t mean that they’re useless or even wrong, but they are highly subjective and often generously creative.

    Everyone experiences the flavors of a whisky differently, depending on personal taste and their unique frame of reference. Tasting is a learned skill, as is the vocabulary and experience most people use to describe whisky’s flavors. No one is born detecting saddle leather, antique libraries, or sun-warmed fig trees. Those descriptors come from experience, memory, cultural shorthand, and sometimes, yes, imagination.

    If you can describe a moment, a place, or a feeling, you can describe a whisky. Your language doesn’t have to sound like a tasting panel or a poem. You can fully experience (and enjoy) a whisky even if the only words you have to describe it are “good” or “bad.”

    3. Certain whiskies are only for certain people.

    This myth is pervasive, stubborn, and deeply annoying—especially to anyone who doesn’t fit the expected profile of a whisky drinker (white hair, white skin, and definitively male).

    At its core, the idea that whisky isn’t for everyone (or that certain whiskies are for certain people) is rooted in misogyny, racism, and outdated assumptions, all dressed up as “tradition.” You can see it in both subtle and not-so-subtle ways, from advertising to representation to the way we describe certain drinks and who they’re for.

    Taste doesn’t have a demographic, curiosity doesn’t require permission, and whisky has always crossed boundaries. There are no geographic, cultural, and social limits beyond legal drinking age to determine who can enjoy whisky or what type of whiskies they should enjoy. If a whisky speaks to you, it’s for you. Full stop.

    4. Whisky culture is only for experts.

    Expertise has its place in whisky, but so do enthusiasm and curiosity. Every whisky expert started as a beginner, unsure of what they were tasting but interested enough to pour a glass anyway.

    For the whisky industry to grow—or to stabilize, in the current market—it doesn’t need more experts. It needs more newcomers, people with space to listen, ask questions, and take that first sip.

    Experts are essential in this space, but as producers and guides, not as gatekeepers. Culture survives by being shared, not guarded, and whisky was designed for drinking and sharing. 

    Outdated Whisky Myths About Production

    5. Older whisky is always better.

    Age statements feel reassuring. They offer a tidy metric in a world that loves easy comparisons. But age tells you how long a whisky waited, not what it became.

    A five-year-old whisky produced in Kentucky and a five-year-old whisky made in Sweden are completely different products. Climate, production style, grain, the type of barrel, and so many more factors play a role in how flavor evolves over time.

    Time can deepen complexity, but it can also bury it. Some whiskies peak early, and some are meant to linger in the barrel a bit longer. Balance, character, and intention (not to mention personal preference) matter far more than the number on the label. 

    6. If it’s expensive, it must be good.

    Is there anything better than finding a whisky you love for a price that doesn’t break the bank? Cost doesn’t equal quality, and price often reflects scarcity, hype, distribution, or collector demand far more than anything else.

    Great whisky doesn’t announce itself with a price tag; it reveals itself in the glass. And, quite frankly, there’s a whisky for everyone at every price point.

    Some of the most honest, expressive, and enjoyable whiskies were never designed to be rare or prestigious. They were made to be opened, to be shared. To show up on ordinary nights and important ones alike, with or without the fanfare of a high price tag.

    7. “Craft” automatically means a better spirit.

    There is something to be said for small whisky producers: they often bring creativity, innovation, and a fresh perspective to challenge tradition. But while small distilleries have their advantages, size alone doesn’t determine integrity.

    Craft isn’t about scale. It’s about intention. It’s about decisions made with care, respect for process, and accountability to quality, whether you’re producing for the masses or for a few loyal customers. Romanticizing smallness can be just as misleading as dismissing it. Great whisky might fill a handful of barrels or thousands.

    8. Whisky must be aged for at least two years.

    This myth is complicated, and understanding requires understanding the differences in production and regulation that define whisky around the world.

    In Scotland, a spirit isn’t whisky until it has spent at least three years in the barrel. In the United States, there is no such minimum unless a whisky is designated as bottled-in-bond or straight. A whisky has to be aged in an oak container, but that aging could—technically—span 10 minutes rather than 10 years.

    Granted, no one wants to drink a 10-minute-old whisky (better known as slightly-dirty moonshine). But the point stands: the rules around aging aren’t universal.

    Regional Whisky Myths to Leave Behind

    9. If it’s not bourbon, it’s whisky.

    First and foremost, bourbon is whisky (or, more accurately to the region, whiskey). To their credit, most bourbon drinkers do actually know this, and they quickly counter any reiteration of fact with “but not all whisky is bourbon.” They’re not wrong—but they are missing the point.

    Bourbon and whisky are not two separate and equal pillars in the worldwide whisky space, and framing them as such dismisses the robust diversity of the worldwide whisky industry that, statistically, accounts for a much larger market share than America’s favorite spirit. Lumping all non-bourbon whisky styles together as “everything else” does a disservice to their cultural impact, range of flavors, and potential for enjoyment.

    10. Bourbon can only be made in Kentucky.

    Bourbon is an American whisky. It is not exclusively a Kentucky whisky.

    Yes, Kentucky still makes about 95% of all bourbon produced. A perfect storm of geopolitical, social, and agricultural factors guaranteed that a century or two ago. But great bourbon is no longer limited by these factors, and distilleries all across the United States are producing fantastic bourbons—with or without the use of limestone water.

    11. All Scotch whisky is peated.

    As a Scotch drinker, I’d like to see this myth die quietly and quickly.

    Yes, peated Scotch exists. Yes, it’s divisive. And no, it is not the singular defining flavor of Scotch whisky.

    Many single malt Scotch whiskies—especially from regions like Speyside and the Lowlands—lean toward fruit, floral, honeyed, or buttery profiles, with little to no smoke at all. One flavor experience shouldn’t define an entire category, especially a category with as much diversity as Scotch.

    Taking the time to understand the nuances of a category can open the door to exploring new flavors and finding something you enjoy, whether it’s Scotch, bourbon, rye, Canadian whisky, or something else.

    And if you still don’t like it? That’s fine. More for the rest of us.

    Leaving the Myths of Whisky Behind

    The future of whisky doesn’t belong to outdated rules and rigid beliefs. It belongs to those who approach the spirit with curiosity and openness. It’s time to pour these myths down the drain and to open our minds to the stories still being written about whisky.

    Sláinte, y’all.

  • Art & Whisky // Maker’s Mark Distillery in Loretto, Kentucky

    Art & Whisky // Maker’s Mark Distillery in Loretto, Kentucky

    It’s no question that there is an art to whisky, but nowhere is that idea more prominent than at Maker’s Mark Distillery in Loretto, Kentucky. Nestled in the gentle hills of Marion County—a little more than an hour from both Louisville and Lexington—Maker’s Mark blends craftsmanship, tradition, and design into one of the most beautiful bourbon experiences in the Commonwealth.

    Established in 1953 by Bill and Margie Samuels, Maker’s Mark is best known for its wheated bourbon recipe and the iconic red wax that seals every bottle.

    Both of these defining features were inspired by Mrs. Samuels, whose distaste for the bourbons of the day led her husband to create a softer, more palatable mash bill, using red winter wheat to balance the necessary corn. Her influence didn’t stop there; the standard Maker’s Mark bottle shape, label design, and hand-dipped wax were all her ideas, now permanently woven into the brand’s identity.

    To this day, every bottle is dipped by hand on site, the liquid wax dripping down the neck of the bottles as they shuttle down the assembly line.

    Seeing the brand’s bottles dipped in person is not for the faint of heart. But for the brave souls who make the trek down narrow winding roads toward the rural distillery, they are rewarded with a stunning pastoral scene and, for a few months this fall, the art of world renowned glass artist, Dale Chihuly.

    Orange Hornet Chandelier (2025)

    Chihuly’s relationship with Maker’s Mark has spanned more than a decade; 2025’s installation marked a return to the Loretto campus, and a permanent installation of his work, titled The Spirit of the Maker, casts a warm glow over a collection of barrels held in a narrow space alongside the gift shop.

    The 2025 exhibit drew new attention to this permanent artwork while incorporating other sculptures, including some new pieces inspired by the distillery.

    The Spirit of the Maker (2013)

    The Maker’s Mark Tour

    While Chihuly’s art is what drew me out to the distillery on Friday, December 5, I wasn’t going to miss the chance for a tour. I chose the Maker’s Mark Tour, the distillery’s most popular option, to learn about the brand’s history.

    Guided by a friendly and charismatic gentleman named Chad, our group of 15 or so explored the distillery’s historic still house (predating the Maker’s Mark brand at least half a century), warehouses, and label production, along with the bottling line where every bottle of Maker’s Mark Whisky receives its famous wax. The tour ends with a tasting of four Maker’s Mark whiskies and the opportunity to purchase and dip your own bottle in the gift shop.

    Along the way, we learned of the Samuels’ family’s whisky legacy, which stretches all the way back to Scotland and inspired the brand’s use of the e-exclusive “whisky” on their products. Winding through the black-walled buildings, Chad explained how Mr. Samuels pivoted from a successful career in Louisville to purchase the already-established farm and distillery in rural Loretto. The still-in-use still house is the oldest in the country and home to a column still standing 5 stories tall.

    Legend has it that the Samuels family decided on the brand’s singular whisky recipe by baking a variety of proposed mash bills into loaves of bread. The best tasting loaf won out, with a mix of 70% corn, 16% soft red winter wheat, and 14% malted barley. Maker’s Mark 46 came about from a similar burst of experimentation, with 45 unsuccessful attempts to incorporate French oak staves into the maturation process before landing on the winner.

    Distillation and its corresponding branding efforts have historically been led by men, but Mrs. Samuels was no silent partner in the creation of Maker’s Mark Whisky. Her contributions to the spirit’s recipe and design are properly appreciated at Maker’s Mark. Not only did Mrs. Samuels choose the shape of the bottles and introduce the red wax, but she designed the mark of Maker’s Mark and hand-wrote the original labels, which are still finished on an antique die cut press operated on site.

    Exploring Star Hill Farm

    The moment the tour concluded (following a walk through the aforementioned glowing whisky hallway), I jetted off to the nearest Walmart in nearby Lebanon, KY to pick up an SD card. Despite a veritable stack of cards at home, I had set out for adventure with an empty camera. There was no way I was returning to Lexington without some proper photos.

    Once back on site, I paused for a quick lunch (a delicious salmon sandwich) at Star Hill Provisions, the farm-to-table restaurant nestled within the distillery grounds. Then I took my now-equipped camera and began to wander around.

    “Where can I not go?” I had asked Chad upon my return. In response, he handed me a map with two buildings clearly marked “not open to the public.” Beyond that, the world—or, more accurately, the farm—was my oyster.

    With much of the campus open to guests, I spent the afternoon photographing the Chihuly installations and weaving through historic buildings that make Maker’s Mark feel more like a preserved village than a modern production site.

    A couple of passing Maker’s Mark staffers quickly clocked my camera and stopped to point out the best vistas. One even offered to take a photo of me, which I politely declined—I much prefer my place behind the viewfinder—but these interactions positioned Maker’s Mark as one of the nicest distilleries I’ve visited, both at home and abroad.

    Dale Chihuly is not only known for his art, but for the way he integrates the glass shapes into the surrounding environment. The first time I experienced Chihuly’s art was at the Clinton Library in Little Rock, Arkansas. The second time was at Frank Lloyd Wright’s Arizona home, Taliesin West.

    At Maker’s Mark Distillery, the outdoor sculptures emerged from the grounds in sharp contrast to the grass, earth, and snow below. Scattered throughout the campus, they seemed as natural as the buildings, positioned like flowers bursting through the cold soil in spring.

    Sapphire and Platinum Waterdrop Tower (2017)
    Sol Del Citrón (2014)
    Moonbow Fiori (2025)

    In the cellar, colorful fan-shaped glass explodes from the ceiling over the oak barrels below. Utilizing extra pieces from the gift shop’s ceiling installation, the beauty of the End of the Day Persian Chandelier simply can’t be captured in photographs.

    But lord, did I try.

    End of the Day Persian Chandelier (2015)

    Nearby in the warehouse, a collection of Venetians—elaborate glass vases—were tucked between the barrels, each delicate shape standing in contrast to the sturdy, whisky-filled wood vessels and racks around them.

    I even found a typewriter, tucked on a dusty desk in the “Quart House.” The small building once served as a package whisky store (and possibly a toll house for the now-defunct railroad). Dating back to 1889, it’s now on the register of historic places as the oldest still-standing location of its kind, a bit of Kentucky history preserved in Maker’s Mark history.

    Starting with Art at Maker’s Mark Distillery

    When I was both properly cold and due back to Lexington, I ended my excursion with a quick walk back through the Visitor Center, where all tours—and the experience of art—begin.

    Upon arrival at Maker’s Mark Distillery, Guests enter through a gallery, thoughtfully lit and enhanced by high ceilings. I was late and distracted (per the usual) and had failed to notice the colorful welcome on arrival, but appreciated it all the more now, knowing the story of the Samuels family and their whisky.

    Even the bathrooms are stunning at Maker’s. While I can’t speak to the men’s room, the ladies is carefully constructed of stone and tile to envelope visitors in a beautiful experience at every turn.

    At the back of the Visitor Center is a small cocktail bar, where I met Whisky Jean Samuels, the distillery cat who was completely unbothered by my presence.

    Whisky Jean rested on a leather sofa under yet another permanent Chihuly installation, Amber & New Oak Chandelier (2017). It’s not pictured, because I was, in true form, focused on the cat.

    If I’d had more time, I would have lingered long enough for a drink, but my evening plans were calling, and I chose safe driving over happy sipping—especially on the single track roads surrounding the distillery.

    As I walked to my car, I took one last slow look across the campus. The light was fading, and Christmas lights were starting to sparkle through the trees, ready for the Ambassadors that would arrive within hours.

    Maker’s Mark has always been known for its whisky, but being there in person makes it clear that its magic lies just as much in the people, the place, and the art they’ve woven into every turn. Even without Chihuly’s sculptures shimmering in the background (the exhibit ended December 7), Maker’s Mark is not just a distillery that creates whisky. The Samuels family has curated a total experience, every drop crafted with intention.

    Sláinte, y’all.


    What to Know About Visiting Maker’s Mark Distillery

    For those who choose quick answers over the magic of prose, here are few FAQs about Maker’s Mark Distillery, a major attraction on the Kentucky Bourbon Trail.

    Where is Maker’s Mark distillery located?

    Maker’s Mark Distillery is in Loretto, Kentucky, about an hour south of Louisville.

    How much does it cost to tour the Maker’s Mark distillery?

    As of December 2025, the Maker’s Mark Tour starts at $30. Other tour experiences range in price.

    Is Maker’s Mark distillery worth visiting?

    Hell yes! Maker’s Mark offers one of the most immersive and visually stunning distillery experiences in Kentucky, with hand-dipped bottles, a rich family history, and seasonal art installations.

    Can I visit Maker’s Mark without a tour?

    You might be able to visit Maker’s Mark at Star Hill Farm without a tour—but do you really want to?

    Does Maker’s Mark still hand-dip every bottle?

    Yes. Every Maker’s Mark bottle is still hand-dipped in red wax at the Loretto, Kentucky distillery.

  • Fire & Glass // Flame Run in Louisville, Kentucky

    Fire & Glass // Flame Run in Louisville, Kentucky

    Kentucky may be best known for its bourbon, but there is far more than spirits in the Bluegrass state to entertain travelers. Whiskey side quests—visits to museums, sights, and non-bourbon experiences—offer an opportunity to go deeper into the culture and curiosities of our region.

    They’re also a great way to give your liver a quick break—and to make a few memories you might actually remember.

    One perfect spot for a side quest is Flame Run, the largest privately-own glassblowing studio in the Midwest. Located in downtown Louisville and just steps from Whiskey Row, the space is equal parts art gallery and studio. Working just steps from the sidewalk outside, artists use fire and flame to shape liqud glass into delicate and dazzling works of art.

    All that hot air isn’t just for show. Visitors can participate in the glass-blowing experience through classes, studio rentals, and create-your-own glassware experiences. It was the last of these that drew the Lexington Bourbon Society westward on last Saturday, with 25 of us making the trek to experience the art of glassblowing firsthand.

    The design-your-own glassware experience ranges in price, with several small projects available to create in the studio. For our group, the rock glasses and stemless wine glasses (both $65) were the top contenders. Other options included ornaments and paperweights—basically anything the approximate size of a softball.

    After choosing your project and your colors, you’re handed a paper bag notated with your selections scribbled Sharpie ink. As informal as it may be, that bag is important: when your turn comes, you must pass it along to the glassblower who’ll bring your creation to life.

    Visitors don’t actually get to blow the glass themselves. With furnaces reaching something like 2,000 degrees Fahrenheit, that’s probably for the best. Though it was a beautiful day in Louisville, the studio was unrelentingly hot. Our group drifted in and out, stepping through the open doors into the cooler air of the sidewalk or up the stairs into an air-conditioned viewing area. The artists, far more used to the heat, worked steadily at their stations.

    When it was my turn to blow, I handed my paper bag to John, my designated artist. I had originally chosen the rocks glass, but I asked John if we could swap it for the wine glass and shape it more into a tulip than a tumbler. He agreed, especially after I gave him full artistic license to interpret my chosen colors (pink, orange, and white) at will.

    From one furnace, he drew molten glass onto a long rod, spinning it along the edge of a metal workstation. As he blew air into the glowing hot glass, it began to expand, glowing hot and red with heat and potential. John gently and methodically worked the rod back and forth, slipping the glass in and out of the fire to add glass or keep it hot, and shaping it with calipers and breath and flat tools.

    The whole process to build and shape my chosen piece took maybe 15 minutes, though some were longer. John was patient and gracious as I watched and asked questions throughout. After my glass was complete, it was whisked away to cool in safety—something to keep in mind if you’re just popping in. The glass needs a day or two to rest before you can take it home, and I won’t see mine in its final form until someone goes to retrieve our wares later this week.

    The rest of the afternoon unfolded just as you’d likely expect for a bourbon society: twenty or so bottles (and a collection of snacks) cluttered a table in the gallery, all open for sharing. At one point, a cocktail was shoved under my nose with the words “try this”—resulting in both hands filled with whisky and my camera dangling helplessly by my side.

    For the average visitor, the experience of visiting Flame Run is likely a bit more low-key, but it will be no less fascinating. Whether you walk way with a one-of-a-kind piece of glass, a new appreciation of the craft, or just a good story, it’s a side quest worth taking.

    Sláinte, y’all.

  • Is the Whiskey Industry Doomed?

    Is the Whiskey Industry Doomed?

    In early January, the Brown-Forman Corporation announced that it would be shuttering its Kentucky cooperage and laying off a significant portion of its global workforce. As the parent company for popular whiskey brands Jack Daniel’s, Old Forester, Woodford Reserve, GlenDronach, BenRiach, Glenglassaugh, and more, this news hit the whiskey world hard—and left many talented industry professionals suddenly facing unemployment.

    Before the month’s end, the company popped up with more bad news: Glenglassaugh Distillery, home to Sandend, an award-winning single malt Scotch whisky expression, would also be closing—temporarily, at least. The Highlands distillery isn’t being mothballed, exactly, but its functional reality is shifting, with shared production and alternating silent seasons at BenRiach Distillery in the nearby town of Elgin.

    While these announcements were no surprise to many industry experts, they came as a shock to many enthusiasts. Their appearance on the horizon of 2025 positioned them as harbingers of dread, with worse things possibly to come for the whiskey industry.

    And worse things did come: tariffs. Tariffs imposed by the American government were quickly followed by retaliatory tariffs from other parts of the world, not to mention a clearing of shelves in Canadian retailers, where American spirits are now notably absent.

    Over the last few months, numerous articles have popped up to debate whether the whiskey industry is doomed or thriving. The most remarkable thing about this ongoing discourse is its variety; economics are notoriously difficult to predict in the best of circumstances, but the reality of whiskey in 2025 seems particularly difficult to pin down, especially as the rules of the game change daily.

    “The industry is exactly where it would have been without COVID,” said Kate Latts, Co-President of Heaven Hill Brands, at the James B. Beam Institute’s 2025 Industry Conference in Lexington, Kentucky. During a Distilling Leadership Panel moderated by Wine & Spirits Daily’s Executive Editor, Sarah Barrett, Latts shared the stage with Lawson Whiting, CEO of Brown-Forman and Greg Hughes, President of Suntory Global Spirits.

    These three companies are giants in the industry, holding a massive piece of the global whiskey market share, and their CEOs and Presidents did not shy away from the difficult conversations at hand.

    To underline her point, Latts talked about industry statistics and projections made in the years prior to COVID. If the inflated market of the pandemic had not happened, she explained, that data suggests that the industry would be in the same exact place.

    Of course, the pandemic did happen, along with inflation, rising cost of living, and so many more issues that are much, much bigger than the whiskey industry. As the panel shared, the impacts of these challenges are magnified in the whiskey industry, given its three tiers of production and distribution: the consumer, the retailers and the distributors, and the distilleries themselves.

    Even more, there are real people at every tier, and these changes impact far more than just their liquor cabinet—every expansion and contraction of the industry affects the people who produce, distribute, sell, and consume these spirits.

    What’s Driving the Decline of Whiskey Consumption?

    While the overall rate of whiskey consumption rose sharply in 2020, those numbers have recently dropped, and dropped dramatically. Fingers have been pointed at the increasing legalization of cannabis, use of GLP-1 products for weight loss, and the changing habits of Generation Z.

    The reality is likely much more practical, said Lawson Whiting. In 2025, many people can’t afford the luxury of alcohol, at least not in the same way that they once could.

    Economic Uncertainty

    Five years ago, many people suddenly found themselves with an abundance of disposable income and few outlets through which to spend it. They bought everything they could get their hands on—and they were happy to pay for the privilege. Spirits brands could hardly keep up with the demand.

    As purse strings tighten, consumers are becoming much more discerning.

    While overall sales have slumped, sales of smaller-sized bottles have rocketed in the last year, said Whiting. He explained that this shift points to the idea that the desire for these products has not slipped as much as the budgets that allow people to afford them.

    Premiumization has also suffered in recent months, with declining sales on limited release and high value bottles. Greg Hughes, President of Suntory Global Spirits, said that this shift is not because consumers have lost a taste for premium whiskeys, but because they’re being more careful with their purchases. The key to overcoming that spending hesitation, the panel said, is authenticity and quality.

    Shifting Consumer Demand

    While ready-to-drink cocktails, other canned drink options, and low- or no-alcohol options may not be the primary reason for whiskey’s current slowdown, their rise in the market cannot be ignored. Consumers are increasingly reaching for flavor and convenience, said Whiting.

    Others, said Hughes, are experimenting with different ways to reach their consumption goals.

    “Consumers want an experience,” he explained. The type of experience they’re seeking determines the type of drink they reach for.

    Hughes suggested that these trends are less of a threat than an opportunity. Success in a changing market depends on the ability to innovate and deliver against those “need states”—whatever they may be. “We have an obligation to know and meet consumer interests,” he said.

    Tariffs

    With American spirits suddenly absent from Canadian shelves, and with the threat of tariffs looming over the global industry, tariffs pose a huge threat to the future of whiskey. The hope, said the panel, is that the ongoing tariffs war will be worked out before it becomes the problem it threatens to be—and they remain optimistic about that outcome.

    And if not? Spirits brands will survive if they can stay agile and be prepared, said Hughes.

    The problem with tariffs, he explained, is that they affect every segment of the whiskey industry ecosystem: consumers, retailers, restaurants and bars, wholesalers, and producers.

    “We need all of them to be healthy for the bourbon industry to be healthy,” Hughes said.

    The Whiskey Industry is Changing, Not Doomed

    The art of supply and demand is ensuring that you have the right amount of product available for the people who want to buy it at the price you want to sell it. That number is, however, a moving target, especially in an industry that requires the amount of time that whiskey demands.

    A perfect model is impossible, said Latts. As her father tells her, “You never have exactly the right amount.”

    “Everyone is pulling back just a little bit,” said Whiting. “In COVID, everyone was short; now everyone is long.”

    Essentially, the market is correcting itself—a natural occurrence after a period of instability. The COVID boom simply wasn’t sustainable over the long term.

    There’s good news hidden in these shifts, too: despite the overarching decline of alcohol sales, American whiskey remains one of the fastest growing spirits category, trailing only behind tequila.

    “Global consumers love American whiskey,” said Whiting. And while established markets may be slowing, they do not represent the total potential of the global whiskey sales. Even a small expansion in a promising market could represent big growth for the industry.

    Sales for Boomers and Generation X haven’t changed all that much, either, offering some element of consistency in a changing market. Whiting described the whiskey market as LDA to DND—”legal drinking age to damn near dead.” Bringing younger consumers into the fold requires understanding how, why, and what they drink, and delivering on those needs and desires.

    That doesn’t mean it’s not a challenging time for whiskey; layoffs and cutbacks have a real impact on individuals, their families, and their local economies. But the whiskey industry has been through far worse—prohibition ended less than 100 years ago, after all. It will continue to evolve and thrive, and all three panelists are optimistic for its future.

    In the next five to ten years, Whiting predicts increasing globalization, tapping into those new geographic markets. For Latts, it’s a return to premiumization through innovation. For Hughes, it’s both—with a constant focus on quality, authenticity, and transparency.

    We’ll drink to that.

    Sláinte, y’all.

  • Hinterhaus ASMW Batch #4 // A Mountain Malt with Legs for Days

    Hinterhaus ASMW Batch #4 // A Mountain Malt with Legs for Days

    About 100 miles and two hours east of Sacramento, tucked into the Sierra Nevada Mountains, you’ll find the cozy mountain enclave of Arnold, California. This small town—a former logging spot named after 20th century innkeepers—is home to around 4,000 people and two groves of giant sequoia trees. Some of the trees stretch hundreds of feet into the air, with thick trunks bigger than most homes.

    Arnold is also where you’ll find Hinterhaus Distilling.

    Founded in 2020 by Nate Randall and Bonnie Boglioli-Randall, Hinterhaus has already made a remarkable splash in the American spirits world. The Randalls run the distillery with their son and daughter-in-law, who have been active in the day to day operations since early on. According to a feature on Bonnie in Canvas Rebel, the younger generation’s involvement was a short-term personnel strategy that never got around to ending. In any case, it worked. Together, the family has grown Hinterhaus from an unknown distiller into an award-winning spirits producer in just 5 short years.

    The High Sierras are not just a location for the Randalls, but inspiration. “Hinterhaus is named in honor of the hinterland at our doorstep – the fast Sierra Nevada wilderness that has long beckoned explorers and adventurers to this breathtaking mountain range,” explains their labels.

    In creating Hinterhaus, the Randalls set out to create spirits that are fiercely local, infusing each bottle with the distinct terroir of their surroundings.

    Named for the twin giant sequoia groves of Calaveras Big Trees State Park, Hinterhaus’ North Grove Vodka is distilled from northern California wine, while South Grove Gin is infused with local botanicals like gooseberry, rose hips, and elderflower. The two bourbons are aged in Calaveras wine casks, while Trapper’s Oath—a Canadian rye with a distillation date long preceding the opening of the distillery—is finished in stout beer casks.

    Unsurprisingly, it’s the American Single Malt Whiskey that most caught my attention; the Randalls use traditional open fermentation tanks and mountain water to make their malt whiskey, ensuring that the spirit is infused with “a provenance and a sense of place that you can nose and taste.”

    Last month, as American Single Malt Whiskey’s official TTB regulations went into effect, spirits producers across the nation celebrated. The Randalls made the most of the moment and category attention, announcing and releasing Batch #4 of their American Single Malt Whiskey.

    “American Single Malt is a cornerstone to our ethos as distillers,” said Nate Randall in a press release marking the occasion.

    His co-founder and wife, Bonnie Randall, agreed: “We’re proud to be a part of the American Single Malt landscape and put a decidedly northern California twist on this traditional whiskey style.”

    About Hinterhaus Distilling American Single Malt Whiskey Batch #4

    Batch #4 of Hinterhaus’ American Single Malt Whiskey is made with 88% Gallagher’s Best and 22% Pacific Victor malts, both of which were sourced from Admiral Maltings. Based in Alameda, California, all of Admiral’s grains are grown in-state on family farms.

    The new make spirit was aged for a minimum of 22 months in two American oak barrels. Half of the spirit matured in a first fill former bourbon barrel, while the other half half came of age in a first fill former wheat whiskey cask. The two were then married together, creating the final spirit that now fills the bottle.

    How do I know all this? It was in the press release, of course. More importantly, though, it’s printed directly on the label.

    It’s not typical for a whiskey brand to share these details. Even as enthusiasts are becoming more and more interested in the minutiae of their favorite spirits, many distilleries are not yet ready or willing to share them.

    For Hinterhaus, however, that transparency is essential. The Randalls have built their brand and reputation around the landscape that surrounds them. Without knowing where their grains and barrels come from, the story of a unique Californian spirit is little more than marketing. With these details included on the label, the family’s passion for Northern California is on full display. Provenance isn’t a strategy for Hinterhaus Distilling, but a mission and a calling, an indispensable element of their distilling process and their presence in the American whiskey market.

    Tasting American Single Malt Whiskey Batch #4

    Hinterhaus Distilling’s American Single Malt Whiskey Batch #4 is light in color, even in the bottle—though the whiskey’s distinctive packaging (as inspired by the Sierra Nevada wilderness as the spirit) makes it difficult to see just how pale the spirit is.

    Poured into a glass, the whiskey is roughly the color of straw. But don’t let the light shade fool you; despite what many whiskey drinkers believe, there’s no real correlation between color and quality. This is especially true when used barrels have been employed in production.

    On the nose, I was immediately hit with green apple, followed by a hint of flaky pastry. The aroma is fresh without being sharp, warming without being heavy.

    Then I noticed the legs.

    As I set the glass down to take a photo, I realized that drops of whiskey had not yet migrated from the rim. Granted, my glassware of choice today was a Wee Glencairn, the tiniest of whiskey tasters, and the distance from top to bottom isn’t far. Even so, I’ve never seen a whiskey’s legs stick so closely—and so stubbornly—to the top of a glass.

    In the name of aesthetics, I wiped the inner edge of the glass multiple times, but it did very little.

    This whiskey has legs for days.

    Batch #4 is no “light” whiskey, despite the color. As I took a sip, the viscous spirit coated my mouth. It’s thick and creamy, yet maintains an unmistakeable lightness in its flavor profile. Mingling with the green apple of the nose, I quickly got citrus and malty fruit, both merging into hint light pastry. It’s not overly sweet, with a certain stewed softness rather than the crisp ripeness of a fresh-plucked fruit. Plus, it finished with a burst of white pepper and light nuttiness, which lingered both on my tongue and at the back of my throat.

    Fruit-forward single malts have never been my top choice of spirits; as a Scotch drinker by origin, I’ve always veered more toward the brine of Islay than the produce of Speyside. Even so, I found myself more intrigued with every revisit to the glass. Several sips were even followed by a happy “ooh.”

    In short, it’s a great American Single Malt Whiskey. I’d highly recommend it to any ASMW enthusiast, or to Scotch drinkers with a preference for Speyside malts.

    Note: I was gifted this bottle (thank you Nate and Bonnie!), but the review and opinions noted here are entirely my own. If you want to try Hinterhaus Distilling’s ASMW Batch #4, you can find it online for an MSRP around $73, both in California and across the nation.

    In My Glass

    American Single Malt Whisky Batch No. 4
    Hinterhaus Distilling – Arnold, California
    46% ABV; Aged 22 Mos. Minimum
    USA

    On My Desk

    1960s Facit TP1 Typewriter

  • Seven Days of ASMW // St. George Single Malt Whiskey

    Seven Days of ASMW // St. George Single Malt Whiskey

    Today is the final day of SEVEN DAYS OF AMERICAN SINGLE MALT WHISKEYS, a series to celebrate the innovative, creative, and talented distillers making American Single Malt Whiskey across the nation.

    It’s been two days since the U.S. Tax & Trade Bureau’s ratification of American Single Malt Whiskey officially went into effect. That means we’re now standing (and sipping) in the future of whiskey, where barley is just as respected in American spirit production as corn and rye.

    The seven distilleries and spirits I’ve featured over the last week are not, in any way, the be-all and end-all of ASMW. None were the first ASMW, and they may or may not be the “best” (though that ranking is inherently subjective). These seven whiskeys just happened to be in my cabinet at the right moment, some because of familiarity and others as a result of curiosity.

    There are many other ASMWs I still have yet to try or, even if I’ve tried them, to purchase in a full bottle. Distribution is one of the biggest challenges still to overcome for American Single Malt Whiskey. Many of the producers representing the best of the category are still largely considered “craft” distillers; they’re doing a lot with limited resources, and crossing state lines to expand their general distribution is no small task.

    We can only hope that the legitimization of the category will increase awareness and demand for American-made single malt whiskeys, thereby also increasing access. If you have an ASMW you love, whether enjoyed locally or discovered on your own whiskey journey, drop a comment over on Instagram. Let’s talk about it! And, even more, let’s share the gift of those recommendations with the whisky enthusiasts of the world.

    (Shameless plug: if you’re an ASMW producer and want to send me a bottle to try and share, I’ll also happily trade my two cents—that is, my honest opinion and some pretty photography—for a tipple.)

    Let’s dive into the final dram of the week: the Single Malt Whiskey from St. George Spirits.

    This was a fun whiskey to close out the series. Like the Peated Single Malt from 10th Street Distillery, I knew nothing about this bottle when I purchased it (on the same very expensive Total Wine trip as the Balcones Single Barrel store pick). I had, in passing, heard of St. George Spirits, but I wasn’t familiar with their whiskey, or opinions of their whiskey, in anyway.

    Curiosity may have killed the cat, but he’s not allowed to drink whiskey anyway.

    Each batch of St. George’s single malt whiskeys is available only as a limited annual release. It’s produced in Alameda, California, and the fact that I found a bottle on the shelf at all is a slight miracle. Sometimes it’s helpful to be a single malt enthusiast in a world of bourbon bros. But this bottle also sat on the shelf for a few years, ready and waiting for my eager cart to roll by.

    I purchased the whiskey in 2024, but the bottle came from the distillery’s 21st batch of single malt, as indicated by “SM021” printed in small red text.

    St. George released their first batch of ASMW in 2000, and they’re currently on number 24. As the batch numbers appear to correspond with the year of release, this bottle like came out in 2021.

    Old or new, I’ll take it. This distillery has been making single malt whiskeys for 25 years, and I’m excited to try anything I can get my hands on.

    On the nose, I immediately get a hit of sweet, slightly over-ripened green apples. There’s a slight grainy grassiness too, like walking in a farmer’s field after the rain. Yesterday when I originally opened the bottle I noted it as a little funkier than I do today; I poured another small bit this afternoon to refresh my tasting memory, and found the initial punch softened.

    I guess that’s my reminder to try my whiskeys at various times; our senses vary throughout the day and week, depending on a number of factors.

    On the palate, the same bright fruit flavor leads the way, but it’s rounded out with a creamy nuttiness. There’s a punch on the back end, as the whiskey takes a sharp upward swing in flavor before fading into a gentle finish. It’s unlike any other single malt whiskey I’ve tried, and that appears to be by design.

    Being an older release, St. George doesn’t currently have a lot of details about Batch 21 online, but a review from the Whiskey Wash helped to answer a lot of questions.

    For one, the whiskey is made with several barley varietals, including “various roast levels of two-row barley sourced from Wisconsin (pale malt, crystal malt, chocolate malt, black patent malt) and German Bamberg malt (unroasted barley smoked over beech and alder wood).” Batch 21 included whiskeys aged for 4.5 to 10 years.

    Even more remarkably, those component were selected and drawn from 26 different casks. Every release of St. George Spirits’ Single Malt Whiskeys is similar in its variety, each one a blend of whiskeys stored in a diversity of cask styles and prior uses. The thread of continuity between batches is held only in the hands of the distillery’s distiller and blender, who builds a creative composition from an expansive library of whiskey casks held in the distillery’s rackhouse.

    Batch 21 is unexpected and fascinating. I don’t know if it’s the whiskey I’ll reach for at the end of a long day when I want something familiar and true. Instead it’s a sipper worthy of time, space, and consideration. It’s philosophy, waiting to be examined from every angle.

    Good thing I was a philosophy major.

    Slàinte, y’all!


    In My Glass

    Single Malt Whiskey

    St. George Spirits – Alameda, California

    43% ABV; Est. Age 4+ Years

    On My Desk

    Royal Quiet De Luxe

  • Seven Days of AMSW // Balcones Texas Single Malt Whisky

    Seven Days of AMSW // Balcones Texas Single Malt Whisky

    Y’all, it is time to CELEBRATE!!

    Today, the U.S. Tax & Trade Bureau’s definition and regulations for American Single Malt Whiskey officially go into effect. As of January 19, 2025, American Single Malt Whiskey has risen to official, legal, and regulatory status. This innovative, creative, barley-focused category has now taken its rightful place in the lexicon of American Whiskey alongside bourbon and rye whiskey.

    One week ago, I launched this series, Seven Days of American Single Malt Whiskey, to count down to today’s historic event. While personal circumstances have delayed the completion of the series, I’m back and ready to complete the set today and tomorrow with two incredible whiskeys.

    For Day Six, we’re headed back to Central Texas and, more specifically, to the city of Waco, where you can find Balcones Distilling, one of the American Single Malt Whisky Commission‘s founding members.

    Fun fact: long before I ever moved to Texas, my first-ever trip to the state was a visit to Waco. My choice of destination was questioned by locals at both end of my trip, but a friend from college was in her first year of graduate school at Baylor University. I spent my spring break lounging around the university’s pools where she worked.

    It was “cold” by Texas standards (probably 70 degrees Fahrenheit), but downright balmy compared to Michigan. They’d had to de-ice the plane on the runway before I left, and I spent the rest of the week wearing flip-flops and chasing catfish in a kayak.

    I absolutely loved it.

    Somehow, despite living in Texas for several years (and a good portion of that time less than two hours away), I haven’t been to Waco since. But this incredible distillery, established in 2008 and known for both its single malt whisky and blue corn bourbon, proves that Waco’s talents extend far beyond higher education, cults, and shiplap-centered interior design.

    I’ve had this single barrel bottle of Texas Single Malt Whisky in my cabinet for a few months now. I picked it up on a shockingly expensive trip to Total Wine & More here in Lexington, where I walked in just for fun and immediately filled my cart with several Scotch and bourbon and American single malt whiskeys alike.

    Despite the length of my receipt, not a single regret could be found.

    This Texas Single Malt Whisky is a single barrel selection bottled exclusively for the store. At 62.9% ABV, it’s not a whisky for the feint-hearted. Dark mahogany in color, the cask-level strength is matched only by the richness of both the nose and palate.

    Even flavor is sometimes bigger in Texas, and this whisky has it in spades.

    Though I’ve known about Balcones—and their excellent reputation—I’ve had Balcones’ single malt whisky just once before. I was in Dallas for a conference, and made my way to the hotel bar almost immediately after checking in. I remember enjoying the dram, though I sipped it through a travel-induced haze. It was good, but didn’t have nearly the impact of this unique barrel selection.

    But that’s the fun of a barrel selection—while you might have a sense of the whisky’s baseline flavor, you never fully know what you’re going to get until you sip it.

    For this pick, the nose is like a rich fruit pie. Maybe cherry? I don’t particularly like cherries, so it’s difficult to translate that common flavor experience into my own experience of this whiskey. The thickly married notes of stone fruit and pastry are both there, though. On the palate, it’s more of the same, though it quickly dissipates into a malty grassiness in the finish.

    In all truth, I can’t fully decide if I like the finish on this whisky; it’s almost like following a delicious piece of pie by sucking on a blade of grass. That may sound terrible, but it’s not as bad as it seems, I promise. I may not be sure if I particularly like it, but I also don’t hate it. It’s definitely different than anything I’ve tried before, and I just keep picturing a cowboy, leaning against a fence after lunch.

    After a wild couple of days, these tasting notes might be going off the deep end. Cowboys? Blades of grass?

    Can I blame the cask strength, y’all?

    Some of us aren’t built for our own whisky enthusiasm, and it doesn’t take long to feel the 125.8 proof of this whisky. Here’s what I can say: I’m very much intrigued, and I can’t wait to explore more of what this bottle has to offer.

    Good thing I’ve got plenty of time to enjoy it.

    Sláinte, y’all!

    In My Glass

    Texas Single Malt Whisky (Single Barrel)

    Balcones Distilling – Waco, Texas

    62.9% ABV; Aged at Least 24 Months

    On My Desk

    1962 Smith Corona Skyriter Manual Typewriter

    Made in England

  • Seven Days of ASMW / 10th Street Peated Single Malt

    Seven Days of ASMW / 10th Street Peated Single Malt

    It’s Day Five of SEVEN DAYS OF AMERICAN SINGLE MALT WHISKEYS, a week-long series honoring and celebrating the USA’s newest official whiskey category. The Tax & Trade Bureau’s ratification of American Single Malt Whiskey as a legally-defined subcategory of American whiskey was announced in December. It goes into effect this Sunday, January 19, and we’re counting down to the occasion both here and on Instagram.

    All seven of the whiskeys selected for this series have two things in common. First, they’re all American Single Malt Whiskey, meaning that they’re made from a 100% barley at a single distillery in the USA aged in an oak barrel no greater than 700L, distilled to no more than 160 proof, and bottled at not less than 80. In addition, all of the whiskeys I’m choosing to feature already exist in my whiskey cabinet; I purchased no new bottles for the purposes of this series.

    Unsurprisingly, that means that some of the whiskeys featured so far are old favorites, or they’re new expressions from a well-loved whiskey maker.

    Today’s whiskey is neither. It’s a freshly cracked bottle from a new-to-me distillery, purchased on a whim while shopping online for another particular spirit. Since its arrival, it has held space in my cabinet, waiting to be opened and experienced and introduced to my palate.

    That whiskey—or, as they prefer to be called, whisky—is the Peated Single Malt American Whisky from 10th Street Distillery. As someone who was introduced to whisky through the salty spirits of Islay, Scotland, the idea of a peated American whisky is enticing. So enticing, in fact, that I ordered this bottle with little-to-no research.

    I can’t help it; I just love that rich peat smoke. And I got it with the 10th Street Peated Single Malt. The second I popped the cork the sweet smell of brine rose up from the neck of the bottle to tingle my nostrils.

    I believe my exact words were “Ooooh.”

    For a peat-lover, this whiskey is a delight. Made from peat-smoked malted barley imported from Scotland, it is aged in first fill ex-bourbon barrels for a minimum of three years. The distillery proudly employs a Scotch-inspired distillation process, using a double distillation and custom-built pot stills to produce their new make spirit.

    The result is a golden colored whisky with well-balanced flavors of smoke, light fruit, and a hint of vanilla, like gently charred summer peaches with a dabble of cream on top. The smoke, while very present, is refined: not too brash and not too faint.

    It’s a deeply enjoyable whisky, and has the awards to prove it. The Peated Single Malt won double gold at the World Wine & Spirits Competition in 2019 and Best in Class from Whiskies of the World in 2018.

    And yet I found myself perplexed. Shouldn’t an American whiskey taste more….American?

    Terroir is an ever-debated term in the whisky world. It’s the idea that a spirit’s provenance deeply impacts its ultimate flavor profile, thanks to the waters and grains and even the air around it.

    Once upon a time, terroir was everything. Farmers, the original distillers, harvested their own grains, grown on the same lands where they were fermented and distilled into spirits. Water was drawn from local sources, and the closest woods or peat bogs provided any necessary fuel.

    Even today, many distillers lean wholeheartedly into the culture and flavors of their regions. We saw it earlier this week with the Texas BBQ-inspired Stryker. Virginia Distillery relies on natural spring water from the Blue Ridge Mountains, while Whiskey Del Bac uses mesquite to smoke its barley for Dorado.

    10th Street Distillery, on the other hand, seems to eschew these regional calling cards in favor of a flavor profile that can only be described as transcontinental. If not for the California location of the distillery, this whisky could be Scotch. I know that I’m sipping on an American whisky only because I was the one to read, open, and pour from the bottle. If 10th Street’s Peated Single Malt were placed among a lineup of peated single malt scotch whiskies, I don’t know that I could pick it out blind.

    Is this still an American whisky if it’s made with ingredients sourced from 5,000 miles away, and if it doesn’t taste like what we’d expect from an “American” whisky?

    Yes.

    Even in Scotland, much of the barley used to make whisky comes from England or—even worse—continental Europe. The vocal commitment to using Islay barley that is heard from both Bruichladdich and Kilchoman is enough to tell us that their fellow Islay distilleries are likely not doing the same. Same with the peat that they still use to fire their barley kilns; while it may be Scottish, it’s not necessarily from Islay.

    And yet we don’t question whether these whiskies are “Scotch.”

    The truth is, terroir is only part of the story. Where the grains or the peat or anything else comes from is important. It plays a big role in informing and shaping the flavors in the glass.

    The rest, however, is up to the distillers. Selecting those grains, mashing them, fermenting with their choice of yeast and timing, choosing the distillation temperature and speed, the barrels, the rack house location, and the length of maturation—every one of these steps plays a part in the final whisky.

    For 10th Street Distillery’s Peated Single Malt, that all happened on American soil. It may taste like a whisky from Scotland, but it’s an American Single Malt Whisky through and through.

    Sláinte, y’all.

    In My Glass

    Peated Single Malt American Whiskey

    10th Street Distillery – San Jose, California

    46% ABV; Aged at Least 3 Years

    On My Desk

    1961 Olivetti Lettera 22 made in Glasgow, Scotland

  • Seven Days of ASMW // Whiskey Del Bac Classic Bottled-in-Bond

    Seven Days of ASMW // Whiskey Del Bac Classic Bottled-in-Bond

    On January 19, 2025, American Single Malt Whiskey becomes an official spirits category in the United States. The ratification of this new category (the first in more than half a century) was announced last month with an effective date of this coming Sunday.

    For ASMW distillers and enthusiasts, the recognition of American Single Malt Whiskey as its own distinct category is significant, offering legitimacy, transparency, and accountability to the whiskeys that bear its label.

    To honor the occasion, we’re celebrating with SEVEN DAYS OF AMERICAN SINGLE MALT WHISKEYS. Every day this week, I’m selecting an American-made single malt whiskey and featuring it here, on Instagram, and even on LinkedIn. All of the selected whiskeys are already in my cabinet; I didn’t buy any new bottles for this occasion. Some are open and well-loved, while others are yet-uncorked, ready to be experienced for the first time.

    Some, like today’s whiskey selection, are a mix of both.

    Whiskey Del Bac, the Tucson, Arizona distillery that lives by the mantra “mesquited, not peated,” deserves credit for being the American Single Malt Whiskey that drew me into the category. I lived in Tucson for seven years, with Whiskey Del Bac (also known as Hamilton Distillers) as my home distillery.

    That sounds so very magical and right for the whiskey enthusiast I am today, but I have to confess something: while I enjoyed Whiskey Del Bac in a cocktail, or even poured neat, many times over the first four years of my desert life, I didn’t really give this locally-made whiskey a lot of thought.

    When I went out, I almost always ordered Scotch. I had cut my whisky teeth on Laphroaig 10, and I was actively planning a trip to visit distilleries 5,000 miles away, with barely a thought to those within the borders of my own country. American whiskey simply didn’t enter my frame of reference—not bourbon, not rye, and certainly not American single malt whiskey.

    All that changed when I visited Whiskey Del Bac in late 2021.

    The shift really began in 2020, when the pandemic forced all of us to spend far too much time at home. I was lucky enough to continue working remotely throughout the lockdowns. Like many people in my situation, my bank account rose, my usual spending outlets suddenly limited by the seclusion. I started buying more whisky as a result, and, with an abundance of free time, learning more about the craft of distillation too.

    My then-partner and I had been planning a trip to Scotland—a bucket list item we’d set together back in 2013 when we got married. As I enthusiastically dug into the details of the trip (canceled, of course, for 2020), I naturally began to research the distilleries we would visit too. And then I began to watch documentaries about whisky.

    And, well, it all spiraled from there. Quickly.

    I obviously knew about Whiskey Del Bac by then, and I had thought about visiting the distillery on a handful of occasions. The idea of a tour, however, always seemed to come to me in the summer. The distillery’s website warned that the facilities weren’t air conditioned. As a result, they could become extremely warm on Southern Arizona’s needlessly hot summer days.

    For this thick-blooded Michigander, it was thanks, but no thanks.

    I finally booked a tour in late 2021, prompted (if I recall correctly) by yet another encounter with Whiskey Del Back out in Tucson at large. It was only my second distillery tour ever, and my first single malt tour. By the end of the tasting, my vague appreciation for the desert-made spirit had risen exponentially. When they advertised a job posting for tour guides a couple of weeks later, I immediately applied.

    Within a month of visiting Whiskey Del Bac for the first time, I was on the payroll, learning about the distillation process well enough to offer that same knowledge to others. By the time I left, just a short six months later, I was a fully-developed American Single Malt Whiskey enthusiast.

    Whiskey Del Bac remains my favorite American Single Malt Whiskey distillery, in part because of all that it gave me.

    You might have noticed sentimentality as a common thread in the narratives so far this week.

    Yes, I’ll admit it: I’m a sentimental fool.

    I still count many of my Whiskey Del Bac colleagues as friends, even almost three years and 2,000 miles later. Without that experience, without having lived in Tucson and walking through their front door, I probably wouldn’t live in Kentucky, and I absolutely would not be doing this series.

    It helps that they make damn good whiskey too.

    Today’s selection is a little bit of old and new. While the distillery is known for their mesquited single malt, called Dorado, the Classic Single Malt is an unsmoked whiskey modeled after a Speyside Scotch. It’s meant to offer a straightforward whiskey experience, not a campfire, but a bold, enjoyable whiskey experience all on its own.

    Historically, the distillery has always aged its whisky in new American Oak quarter casks, each holding around 15 gallons of spirit. As a tour guide, I used to surmise (and never actually verified) that the sizing was a result of the distillery’s humble origins. Smaller casks casks are much easier to fill, maneuver, and store than the standard barrel—especially for the one-man operation that Whiskey Del Bac was in its earliest days.

    The diminutive size of these barrels, paired with the extreme temperature swings of the Sonoran Desert, typically produces a mature, delicious whiskey in little more than a year.

    The Whiskey Del Bac Classic Bottled in Bond—today’s American Single Malt Whiskey selection—was instead aged for four years. It is made from the same unsmoked new make spirit as the original Classic, carefully produced in a single distilling season. But instead of being poured into small barrels, the new make spirit was loaded ino new Standard American Barrel holding roughly 53 gallons. The casks were stored as legally required for bottled-in-bond, aging for at least four years in a federally bonded warehouse in Tucson, then bottled at 50% ABV.

    Only a small batch of spirit was produced in this way back in 2020, the precious liquid allocated to an experiment with results yet unknown. In 2024, the larger-than-usual barrels were emptied and bottled as a limited release. This small sample sent to me by my friends at the distillery, and has waited until today to be opened and enjoyed.

    The color of the Classic Bottled-in-Bond is slightly darker than the usual Classic whiskey. The flavors, too, are a little bolder. This is unsurprising, considering that it’s bottled at 50% ABV instead of the usual 46%. Beyond that, it is the same dark fruit, sweet caramel, and warm vanilla whiskey that I’ve grown to love over the last several years. It’s just a little more robust and more flavorful—and that’s saying a lot, considering that the original Classic was listed in Wine Enthusiast’s Top 100 Spirits in 2021.

    In short, I love it. If you’re a fan of American Single Malt Whiskeys, you just might too.

    Sláinte, y’all!

    In My Glass

    Whiskey Del Bac Classic Bottled-in-Bond American Single Malt Whiskey

    Hamilton Distiller/Whiskey Del Bac – Tucson, Arizona

    50% ABV; 4 Years Old

    On My Desk

    Royal Futura 600 Manual Typewriter, c. 1960